This year's annual Curtis composers' chamber concert! Stop by for a free evening of six world premieres in the historic Field Concert Hall. No tickets required. This year, I'm writing a substantial solo cello work for the incredible Oliver Herbert. The work, titled "Oracle," will take inspiration from stories about the ancient Oracle of Delphi.
I'm very excited that my chamber orchestra piece To the Colors, which I composed in response to Mozart's Haffner Symphony, will be performed on a Mozart birthday concert by the Spectrum Symphony of New York. Tickets available soon!
"The Evening Lamps Alight" was commissioned by Gretna Music in honor of the 125th anniversary of the town of Mount Gretna, PA. The work is an adventurous chorale prelude on the Chautauqua hymn ‘Day is dying in the west.’ It takes its title from a particularly beautiful turn of phrase in the hymn’s first verse: ‘wait and worship while the night / sets the evening lamps alight / through all the sky.’ Tickets are available at Gretna Music's site.
Luzerne Music Center's second faculty artist concert of the summer will feature my "Celestial Dances," for string quartet. Tickets are available here, and you can find more information about the summer season at LMC's page. The faculty artists are absolutely top-notch -- I'm thrilled to be working with Antonio Rincon, Eliezer Gutman, Laura Manko Sahin, and Jameson Platte!
I couldn't be more excited to have a chance to work with the American Composers' Orchestra for their 2017 Underwood New Music Readings. On Thursday, June 22nd from 10AM to 1PM, you'll get a rare chance to glimpse the orchestral rehearsal process for six brand new works. Then on Friday, June 23rd at 7:30PM you'll be able to hear my piece "Mercury-Redstone 3" at the run-through performance. If you're in New York City, this is about as awesome a free concert opportunity as you'll ever see! You can register (seriously, for free) here for Thursday's rehearsal and here for Friday's run-through performance. See you there!
The annual Curtis composers' orchestra concert lands on April 1st this year -- and I promise this isn't an April Fool's gag! If you can make it to Philly, come hear my latest orchestral work premiered by the Curtis Symphony Orchestra alongside five other world premieres. It's a free concert, and a great one! This year's program may also be livestreamed, so stay tuned for further details.
"Homunculus," commissioned by OneBook Philadelphia and Neil Rao, will be performed on Neil's graduation recital on March 20th. We had a couple nice radio spots about this piece -- feel free to check them out on WRTI and WHYY. It's really quite a spectacle to see Neil perform this work, so if you're free, you should totally come watch.
My choral work "How to Praise" will be featured on a compline service here in Philadelphia on 2/19. My fantastic colleague Emily Cooley will also have a new work performed, so please join us if you are free for an evening of reflection and new music.
On January 25th, my new piece "Homunculus," for solo percussion, will be premiered by friend/composer/percussionist extraordinaire Neil Rao. This work was commissioned for the 15th anniversary of the Free Library of Philadeliphia's One Book, One City event, and the music is related to my experience of reading Mark Haddon's The Curious Incident of the Dog in the Night-Time. The event also features interviews with several fascinating authors, and it's free and unticketed! I'd love to see you there.
My work for tenor and piano "Reconciliation," based on Walt Whitman's poem of the same title, premieres at a Crescendo Club concert this fall. Drinks will be available beforehand, so it's sure to be a fun evening!
Gossamer takes inspiration from Walt Whitman's A Noiseless Patient Spider, sonically exploring Whitman's vivid imagery.
The Y's Men of Westport and Weston invites community leaders to speak to families about a range of topics; previous speakers have included several CEOs, local congressional representatives, authors, and scholars. In 2011, I presented to the group about the relevance of contemporary classical music and offered them some strategies for approaching it as listeners. I also talked a little bit about my personal journey into the world of classical music. They've asked that I give a follow-up talk this May, speaking about my time at Oxford, the state of affairs in contemporary classical music, and the professional paths available to a young musician crazy enough to try to make a living as a composer.
At the end of October I was invited to speak at Westport, CT's town hall about the intersection of music and technology, especially vis-a-vis my work with the Oxford Laptop Orchestra. There's a stream archived here if you want to check it out--my talk starts at the 52:16 mark.